- Sold Out
Islamic glass beads (feather)
Mali
MD0316-320
A great set of four ancient Islamic lampwork glass beads featuring a great spiral/feather pattern high relief decoration in a captivating yellow and whitish colors on a great black core. Full of character and showing a great patina considering their age.
The larger bead is approximately 15mm (long) by 9mm (diameter).
When referring to Islamic beads we follow bead expert Robert K. Liu’s description in Ornament Magazine: “The term Islamic Period Glass Beads is used, similarly to Roman Period Beads, to classify groups of ornaments from specific geographic areas and time periods, with recognizable characteristics including patterns and techniques. In the case of Islamic glass beads we know they originated in the Middle East and flourished mostly between the seventh and twelfth centuries. Their designs display a wide mix of techniques and styles: millefiori/mosaic (including pierced mosaic pad beads), trailed, filigreed, combed, fused rods, segmented/blown, folded (an Islamic innovation, Holland and Holland 2006) and those derived from amulet shapes, like charmcase beads with loops.” Islamic glass beads travelled from their sources of production in the Middle and Near East together with the expansion of Islam to North Africa, Southern Europe (Spain), India and the Far East and they reached areas well beyond Islam’s actual limits of expansion such as Northern Europe. They also flowed into Sub-Saharan Africa, where they were valued and cherished for centuries in the Malian ancient kingdoms as a symbol of status and played an important role in the communities’ rites and ceremonies such a burials, initiation or dowries.
Lamp working is one of the main techniques for the making of glass beads. Lamp or lamp work beads were made using glass canes that were reheated to a temperature of up to 1000 ºC by means of a blowtorch or blowlamp and which were then wound onto a coated iron rod to avoid the molten glass from sticking to the metal. The beads produced by the artisan by these means could be then further decorated by re-heating the bead using the same lamp work method and applying colored glass rods or glass cane inserts to the surface of the bead creating an endless variation of patterns and making of each bead one of its own.
A great set of four ancient Islamic lampwork glass beads featuring a great spiral/feather pattern high relief decoration in a captivating yellow and whitish colors on a great black core. Full of character and showing a great patina considering their age.
The larger bead is approximately 15mm (long) by 9mm (diameter).
When referring to Islamic beads we follow bead expert Robert K. Liu’s description in Ornament Magazine: “The term Islamic Period Glass Beads is used, similarly to Roman Period Beads, to classify groups of ornaments from specific geographic areas and time periods, with recognizable characteristics including patterns and techniques. In the case of Islamic glass beads we know they originated in the Middle East and flourished mostly between the seventh and twelfth centuries. Their designs display a wide mix of techniques and styles: millefiori/mosaic (including pierced mosaic pad beads), trailed, filigreed, combed, fused rods, segmented/blown, folded (an Islamic innovation, Holland and Holland 2006) and those derived from amulet shapes, like charmcase beads with loops.” Islamic glass beads travelled from their sources of production in the Middle and Near East together with the expansion of Islam to North Africa, Southern Europe (Spain), India and the Far East and they reached areas well beyond Islam’s actual limits of expansion such as Northern Europe. They also flowed into Sub-Saharan Africa, where they were valued and cherished for centuries in the Malian ancient kingdoms as a symbol of status and played an important role in the communities’ rites and ceremonies such a burials, initiation or dowries.
Lamp working is one of the main techniques for the making of glass beads. Lamp or lamp work beads were made using glass canes that were reheated to a temperature of up to 1000 ºC by means of a blowtorch or blowlamp and which were then wound onto a coated iron rod to avoid the molten glass from sticking to the metal. The beads produced by the artisan by these means could be then further decorated by re-heating the bead using the same lamp work method and applying colored glass rods or glass cane inserts to the surface of the bead creating an endless variation of patterns and making of each bead one of its own.