Rugs & carpets

A beautiful flat woven rug or Shadoui from Jbel Siroua, in the Moroccan southwest. Originally used as a saddlebag or riding blanket by members of the Berber tribe Aït Ouaouazguite. Made entirely of natural white, black, grey and brown undyed wool and red of vegetable dyes, mixed with goat hair, which makes it specially strong and durable.

Yet another gorgeous example of the creativity and skill of the female weavers of the Jbel Siroua region in southwestern Morocco is this unique piece locally called Shadoui and used as a saddlebag or as a riding blanket. It is made of undyed natural color wool in the range of white to brown and vegetal colored decorated fringes. It combines the flat fabric of the base with the knotting of the horizontal stripes. Authentic collector piece!

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative and tribal.

These Berber artisan handmade flatwoven kilim-type textiles or -hanbel- from the Valley of the Ourika in the Moroccan High Atlas are quite a discovery. That is so not only because of their beauty and originality but also because they were quite unknown to most about little more than a decade ago. They are locally known as -lahmal- or -sachou- and they are made of sheep wool.  Their most characteristic features are the horizontal stripes and, most of all, that sort of lentil or protective eye decorative motif, called -ayyour-. The oldest examples use natural undyed wool covering most of the brown palette whilst later ones introduce a richer variety of colors. But again the most distinctive element is the -ayyour- which is woven using the eccentric weft technique. That means that the warp and the weft lines do not cross perpendicularly. This technique is very seldom found in Morocco but for some rare traditional male garment used among the Aït Ouaouzguite and in some areas of the Valley of the Ourika called -akhnif-.

A handmade artisan Azilal Berber flatwoven saddlebag or -tagararth-. Woven in wool and cotton  with  a traditional stripe background made of cream and brown colour natural undyed wool. A superb ethnographic textile piece.    

A handmade artisan Azilal Berber flatwoven saddlebag or -tagararth-. Woven in wool and cotton, it combines a traditional stripe background made of cream and brown colour natural undyed wool with beautiful Berber tribal decoration  showing female and masculine symbols as usual in Berber textiles. A superb ethnographic textiles piece.    

A handmade artisan Azilal Berber flatwoven saddlebag or -tagararth-. Woven in wool and cotto it combines a traditional stripe background made of cream and brown colour natural undyed wool with beautiful Berber tribal decoration in livelier colors in cotton. The motifs show female and masculine symbols as usual in Berber textiles. A superb ethnographic textiles piece.    

A superb handmade Berber rug from Talsing in Figuig, one of the eastern provinces of Morocco. Flatwoven using wool of a vast variety of vibrant colors. The outcome is as modern looking as you can see. 

A handmade artisan Berber flatwoven wool blanket or -shadoui- from the Berber group of the Aït Ouaouzguite inhabiting the region of the extinct volcano of the Siroua between the Moroccan High and Middle Atlas mountain range. Among the very characteristic pieces from this group there are this flatwoven striped blankets that in the local Berber dialect are called -lahmal i shadoui-. The weft-twining technique used for the weawing of these wool blankets, though certain examples such as those coming from the Aït Ouarda may mix wool and cotton for decoration, is called -shadaoui- and it can barely found anywhere else in Morocco. True ethnic textile treasures. 

A handmade artisan Berber flatwoven storage bag -tagararth- from the area of the M’Tough in the Moroccan High Atlas. Woven in wool it combines a traditional stripe background made of cream and brown colour natural undyed wool. 

A handmade artisan Berber flatwoven storage bag -tagararth- from the area of the M’Tough in the Moroccan High Atlas. Woven in wool it combines a traditional stripe background made of cream and brown colour natural undyed wool. 

A handmade artisan Berber flatwoven storage bag -tagararth- from the area of the M’Tough in the Moroccan High Atlas. Woven in wool it combines a traditional stripe background made of cream and brown colour natural undyed wool. 

A handmade artisan Berber flatwoven storage bag -tagararth- from the area of the M’Tough in the Moroccan High Atlas. Woven in wool it combines a traditional stripe background made of cream and brown colour natural undyed wool with a touch of color. 

A handmade artisan Berber flatwoven storage bag -tagararth- from the area of the M’Tough in the Moroccan High Atlas. Woven in wool it combines a traditional stripe background made of cream and brown colour natural undyed wool. 

Amazing Beni Ouarain rug that combines the natural loop-knotted wool background with the color designs in normal knot using recycled wool as in bucheraouite carpets. The Beni Ouaraïn are a confederation formed by about seventeen Berber groups inhabiting primarily the northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes they may be cited the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged admired since long and to that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

A newly hand-made Berber knotted one hundred per cent undyed wool rug from the tribe of the Beni Ouaraïn inhabiting the Western part of the Moroccan Middle Atlas mountain range. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used, their usually plain or lozenge-based decoration and their thickness. That latter is no doubt attributable to the fact that it would have served as a mattress for the family to withstand the freezing cold winter nights at the Atlas and then turned over onto the other side during the summer. Grey design.

An outstanding handmade Berber rug from Talsint in Figuig, one of the eastern provinces of Morocco. Hand-knotted using wool of a variety of lovely colors. The outcome is as joyful as you can see. However the richness of the Berber symbology is still present by the use, for example, of the lozenge as a reference to the woman's womb. A rug that is full of character.

A beautiful artisan handmade knotted Berber rug from Ouelmes or Oulmes in the Moroccan Middle Atlas mountain range. The quality of the wool as well as the warmth of its red color make this medium pile rug very captivating, cosy and lustrous. A piece that will fill alone on its own right any place. 

A beautiful artisan handmade knotted Berber rug from Ouelmes or Oulmes in the Moroccan Middle Atlas mountain range. The quality of the wool as well as the warmth of its red color make this medium pile rug very captivating, cosy and lustrous. A piece that will fill alone on its own right any place. 

From the artisan handknotted rugs woven by the different Berber groups living in the Moroccan Middle Atlas mountains those made by the tribe of the Beni Mguild or Beni M’Guild are, no doubt about it, among the most remarkable and attractive ones. To that contribute the quality of the wool, knotted by means of the so-called Berber knot and, sometimes, the symmetrical knot; the dense decoration that plays not only with the motifs, full of meanings and symbolism, but also with superb contrast of warm colors (brown, camel, gold, red, cream, etc.) without renouncing to brighter ones. The result is what we may define as almost irisdecent extremely lustrous medium pile rugs,elegant, full of character and that, sooner or later, end up becoming the focus of everybody's attention.    

From the artisan handknotted rugs woven by the different Berber groups living in the Moroccan Middle Atlas mountains those made by the tribe of the Beni Mguild or Beni M’Guild are, no doubt about it, among the most remarkable and attractive ones. To that contribute the quality of the wool, knotted by means of the so-called Berber knot and, sometimes, the symmetrical knot; the dense decoration that plays not only with the motifs, full of meanings and symbolism, but also with superb contrast of warm colors (brown, camel, gold, red, cream, etc.) without renouncing to brighter ones. The result is what we may define as almost irisdecent extremely lustrous medium pile rugs,elegant, full of character and that, sooner or later, end up becoming the focus of everybody's attention.    

The artisan handmade Azilal knotted rugs are yet another sample of the endless creativity of the Berber mind. They are mainly woven in the the Moroccan province of Azilal, a mountainous region that lies between the High and Middle Atlas range. Among the Berber groups inhabiting that area we may cite the Aït bou Oulli, the Aït Bouguemez or the Aït Sokhmane. Sheep wool is used for the pile, warp and weft but in the last decades some other materials have been introduced. They are knotted using a symmetrical knot on two warps though sometimes the so-called Berber knot is used as well. The are usually medium-piled. In broad lines three main types of Azilal carpets can be described. The first one is the classical  one. Natural undyed white or cream wool is employed for the backgroung whilst natural undyed brown, black wool or, eventually some other color, is used for the decoration. The second type main characteristic is the deep red wool background where the decoration, either geommetrical or abstract, may show a fairly wide range of colors. This model is found among the Aït Bouzid and some experts see there influences from urban carpets from the city of Rabat. The third model appeared around the mid-1980's and its main feature is the use, together with natural or dyed wool, of a broader range of textile materials such as synthetic dyed yarns, reused fibers, etc. In any case the outcome is always spectacular, and exceedingly decorative.    

The artisan handmade Azilal knotted rugs are yet another sample of the endless creativity of the Berber mind. They are mainly woven in the the Moroccan province of Azilal, a mountainous region that lies between the High and Middle Atlas range. Among the Berber groups inhabiting that area we may cite the Aït bou Oulli, the Aït Bouguemez or the Aït Sokhmane. Sheep wool is used for the pile, warp and weft but in the last decades some other materials have been introduced. They are knotted using a symmetrical knot on two warps though sometimes the so-called Berber knot is used as well. The are usually medium-piled. In broad lines three main types of Azilal carpets can be described. The first one is the classical  one. Natural undyed white or cream wool is employed for the backgroung whilst natural undyed brown, black wool or, eventually some other color, is used for the decoration. The second type main characteristic is the deep red wool background where the decoration, either geommetrical or abstract, may show a fairly wide range of colors. This model is found among the Aït Bouzid and some experts see there influences from urban carpets from the city of Rabat. The third model appeared around the mid-1980's and its main feature is the use, together with natural or dyed wool, of a broader range of textile materials such as synthetic dyed yarns, reused fibers, etc. In any case the outcome is always spectacular, and exceedingly decorative.    

A great vintage artisan wool storage bag or saddlebag from the nomad Kuchi people, a group inhabiting large areas of Afghanistan and Pakistan. The piece is folded by the middle and it sides sewn to form a storage bag to carry clothes, pottery, etc on the group’s frequent journeys on the search of pasture land for its cattle.  

The area where the Marmoucha Berber clan, belonging to the larger Zenata group, is not far from the imperial Moroccan city of Fes in the southern Middle Atlas. The Marmoucha are neighbours of the Beni Ouarain and that is why some of their pieces remind sometimes of the patterns and designs from the latter. Their flatweaves usually are rich in colors and tend to be quite bright and dense. The use of diamond or lozenge strings lattice of narrow black lines circling white squares is a typical old Marmoucha motif. In their knotted woollen rugs, as this particular example, they usually use the so-called Berber knot and medium pile.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

The artisan handmade Azilal knotted rugs are yet another sample of the endless creativity of the Berber mind. They are mainly woven in the the Moroccan province of Azilal, a mountainous region that lies between the High and Middle Atlas range. Among the Berber groups inhabiting that area we may cite the Aït bou Oulli, the Aït Bouguemez or the Aït Sokhmane. Sheep wool is used for the pile, warp and weft but in the last decades some other materials have been introduced. They are knotted using a symmetrical knot on two warps though sometimes the so-called Berber knot is used as well. The are usually medium-piled. In broad lines three main types of Azilal carpets can be described. The first one is the classical  one. Natural undyed white or cream wool is employed for the backgroung whilst natural undyed brown, black wool or, eventually some other color, is used for the decoration. The second type main characteristic is the deep red wool background where the decoration, either geommetrical or abstract, may show a fairly wide range of colors. This model is found among the Aït Bouzid and some experts see there influences from urban carpets from the city of Rabat. The third model appeared around the mid-1980's and its main feature is the use, together with natural or dyed wool, of a broader range of textile materials such as synthetic dyed yarns, reused fibers, etc. In any case the outcome is always spectacular, and exceedingly decorative.    

A handmade artisan Berber flatwoven storage bag -tagararth- from the area of the M’Tough in the Moroccan High Atlas. Woven in wool it combines a traditional stripe background made of cream and brown colour natural undyed wool. 

The Beni Ouaraïn are a confederation formed by about seventeen Berber groups inhabiting primarily the northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes they may be cited the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged admired since long and to that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

Medium thickness. Loop-knotted.

The artisan handmade Azilal knotted rugs are yet another sample of the endless creativity of the Berber mind. They are mainly woven in the the Moroccan province of Azilal, a mountainous region that lies between the High and Middle Atlas range. Among the Berber groups inhabiting that area we may cite the Aït bou Oulli, the Aït Bouguemez or the Aït Sokhmane. Sheep wool is used for the pile, warp and weft but in the last decades some other materials have been introduced. They are knotted using a symmetrical knot on two warps though sometimes the so-called Berber knot is used as well. The are usually medium-piled. In broad lines three main types of Azilal carpets can be described. The first one is the classical  one. Natural undyed white or cream wool is employed for the backgroung whilst natural undyed brown, black wool or, eventually some other color, is used for the decoration. The second type main characteristic is the deep red wool background where the decoration, either geommetrical or abstract, may show a fairly wide range of colors. This model is found among the Aït Bouzid and some experts see there influences from urban carpets from the city of Rabat. The third model appeared around the mid-1980's and its main feature is the use, together with natural or dyed wool, of a broader range of textile materials such as synthetic dyed yarns, reused fibers, etc. In any case the outcome is always spectacular, and exceedingly decorative.    

Boujad Berber rugs come from the plains east of the imperial city of Marrakech in Morocco. The artisans would travel to the souks of this city to sell their carpets. The better known Berber group inhabiting the area from which these carpets come from are the Beni Moussa. These handmade medium wool pile knotted rugs bear some resemblance to those from the region of Hafouz. They made use a wide variety of colors and loose geometric patterns or play with different shades of the same palette such as reds, pinks and any other colours. In any event always a pleasure for the senses.

The area where the Marmoucha Berber clan, belonging to the larger Zenata group, is not far from the imperial Moroccan city of Fes in the southern Middle Atlas. The Marmoucha are neighbours of the Beni Ouarain and that is why some of their pieces remind sometimes of the patterns and designs from the latter. Their flatweaves usually are rich in colors and tend to be quite bright and dense. The use of diamond or lozenge strings lattice of narrow black lines circling white squares is a typical old Marmoucha motif. In their knotted woollen rugs, as this particular example, they usually use the so-called Berber knot and medium pile.

The area where the Marmoucha Berber clan, belonging to the larger Zenata group, is not far from the imperial Moroccan city of Fes in the southern Middle Atlas. The Marmoucha are neighbours of the Beni Ouarain and that is why some of their pieces remind sometimes of the patterns and designs from the latter. Their flatweaves usually are rich in colors and tend to be quite bright and dense. In their knotted woollen rugs, as this particular example, they usually use the so-called Berber knot and in this case short/medium pile.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.