Rugs & carpets

A handmade flatwoven rug or -hanbel- from the Berber tribe of the Zemmour. The Zemmour inhabit areas of the Middle Atlas mountain range in Morocco. Their flatwoven textiles are among the most reputed ones in Morocco. That is attributable not only to the quality of the materials, wool and cotton, but also to their skill, their beautiful use of reds and the vast variety of horizontal and vertical decorative motifs used that evidence the amazingly rich Berber symbology combining male, female and life elements. Very decorative and true pieces of art.

The area where the Marmoucha Berber clan, belonging to the larger Zenaga group, is not far from the imperial Moroccan city of Fes in the southern Middle Atlas. The Marmoucha are neighbours of the Beni Ouarain and that is why some of their pieces remind sometimes of the patterns and designs from the latter. Their flatweaves usually are rich in colors and tend to be quite bright and dense. The use of diamond or lozenge strings lattice of narrow black lines circling white squares is a typical old Marmoucha motif. In their knotted rugs they usually use the so-called Berber knot. 

Among the artisan textiles, knotted and flatwoven (hanbel) alike, woven by the different Berber groups living in the Moroccan Middle Atlas mountains those made by the tribe of the Beni Mguild or Beni M’Guild are, no doubt, among the most remarkable and attractive ones. To that contribute the quality of the wool, the dense decoration that plays not only with the motifs, full of meanings and symbolism, but also with superb contrast of warm colors (brown, camel, gold, red, cream, etc.) without renouncing to brighter ones. The result is what we may define as almost irisdecent extremely lustrous medium pile rugs,elegant, full of character and that, sooner or later, end up becoming the focus of everybody's attention. This particular vintage hanbel features a wonderful combination of colors and shades and lozenge, fish bone and zig-zag pattern. Beautiful.  

Boujad Berber rugs come from the plains east of the imperial city of Marrakech in Morocco. The artisans would travel to the souks of this city to sell their carpets. The better known Berber group inhabiting the area from which these carpets come from are the Beni Moussa. These handmade medium wool pile knotted rugs bear some resemblance to those from the region of Hafouz. They made use a wide variety of colors and loose geometric patterns or play with different shades of the same palette such as reds, pinks and any other colours. In any event always a pleasure for the senses.

Boujad Berber rugs come from the plains east of the imperial city of Marrakech in Morocco. The artisans would travel to the souks of this city to sell their carpets. The better known Berber group inhabiting the area from which these carpets come from are the Beni Moussa. These handmade medium wool pile knotted rugs bear some resemblance to those from the region of Hafouz. They made use a wide variety of colors and loose geometric patterns or play with different shades of the same palette such as reds, pinks and any other colours. In any event always a pleasure for the senses.

From the artisan handknotted rugs woven by the different Berber groups living in the Moroccan Middle Atlas mountains those made by the tribe of the Beni Mguild or Beni M’Guild are, no doubt about it, among the most remarkable and attractive ones. To that contribute the quality of the wool, knotted by means of the so-called Berber knot and, sometimes, the symmetrical knot; the dense decoration that plays not only with the motifs, full of meanings and symbolism, but also with superb contrast of warm colors (brown, camel, gold, red, cream, etc.) without renouncing to brighter ones. The result is what we may define as almost irisdecent extremely lustrous medium pile rugs,elegant, full of character and that, sooner or later, end up becoming the focus of everybody's attention.    

From the artisan handknotted rugs woven by the different Berber groups living in the Moroccan Middle Atlas mountains those made by the tribe of the Beni Mguild or Beni M’Guild are, no doubt about it, among the most remarkable and attractive ones. To that contribute the quality of the wool, knotted by means of the so-called Berber knot and, sometimes, the symmetrical knot; the dense decoration that plays not only with the motifs, full of meanings and symbolism, but also with superb contrast of warm colors (brown, camel, gold, red, cream, etc.) without renouncing to brighter ones. The result is what we may define as almost irisdecent extremely lustrous medium pile rugs,elegant, full of character and that, sooner or later, end up becoming the focus of everybody's attention.    

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative.

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative.

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative.

A newly hand-made Berber knotted one hundred per cent undyed wool rug from the tribe of the Beni Ouaraïn inhabiting the Western part of the Moroccan Middle Atlas mountain range. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used, their usually plain or lozenge-based decoration and their thickness. That latter is no doubt attributable to the fact that it would have served as a mattress for the family to withstand the freezing cold winter nights at the Atlas and then turned over onto the other side during the summer. Black design.

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative.

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative.

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative.

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative.

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative.

A handmade artisan Berber flatwoven storage bag -tagararth- from the area of the M’Tough in the Moroccan High Atlas. Woven in wool it combines a traditional stripe background made of cream and brown colour natural undyed wool and burdeos vegetal dyed. 

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative and tribal.

A newly hand-made Berber knotted one hundred per cent wool rug from the tribe of the Beni Ouaraïn inhabiting the Western part of the Moroccan Middle Atlas mountain range. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used, their usually plain or lozenge-based decoration and their thickness. That latter is no doubt attributable to the fact that it would have served as a mattress for the family to withstand the freezing cold winter nights at the Atlas and then turned over onto the other side during the summer. White design.

Boucherouite or Boucherwit rugs are definitely a joyful aesthetic experience. From the Moroccan arabic - bu sherwit- for pre-used textile remnant or rag ,they are modern abstract pieces of art. All rules are waived and the artisan indulges himself in a endless creative spree. Yet the ancient and rich Berber simbology often surfaces one way or another in a more or less subtle way. The materials used in these hand-made artisan rugs are diverse, new and recycled, from cotton or wool to synthetic fibres. There are no limits but the weaver's mind. No limits to color either. True tribal art statements at their best.

Boucherouite or Boucherwit rugs are definitely a joyful aesthetic experience. From the Moroccan arabic - bu sherwit- for pre-used textile remnant or rag ,they are modern abstract pieces of art. All rules are waived and the artisan indulges himself in a endless creative spree. Yet the ancient and rich Berber simbology often surfaces one way or another in a more or less subtle way. The materials used in these hand-made artisan rugs are diverse, new and recycled, from cotton or wool to synthetic fibres. There are no limits but the weaver's mind. No limits to color either. True tribal art statements at their best.

The artisan handmade Azilal knotted rugs are yet another sample of the endless creativity of the Berber mind. They are mainly woven in the the Moroccan province of Azilal, a mountainous region that lies between the High and Middle Atlas range. Among the Berber groups inhabiting that area we may cite the Aït bou Oulli, the Aït Bouguemez or the Aït Sokhmane. Sheep wool is used for the pile, warp and weft but in the last decades some other materials have been introduced. They are knotted using a symmetrical knot on two warps though sometimes the so-called Berber knot is used as well. The are usually medium-piled. In broad lines three main types of Azilal carpets can be described. The first one is the classical  one. Natural undyed white or cream wool is employed for the backgroung whilst natural undyed brown, black wool or, eventually some other color, is used for the decoration. The second type main characteristic is the deep red wool background where the decoration, either geommetrical or abstract, may show a fairly wide range of colors. This model is found among the Aït Bouzid and some experts see there influences from urban carpets from the city of Rabat. The third model appeared around the mid-1980's and its main feature is the use, together with natural or dyed wool, of a broader range of textile materials such as synthetic dyed yarns, reused fibers, etc. In any case the outcome is always spectacular, and exceedingly decorative.    

A beautiful artisan handmade knotted Berber rug from Ouelmes or Oulmes in the Moroccan Middle Atlas mountain range. The quality of the wool as well as the warmth of its red color make this medium pile rug very captivating, cosy and lustrous. A piece that will fill alone on its own right any place. 

An astonishing new creation wool carpet made according to the traditional flat weaving technique of which -Ahnif- were made. These were hooded capes that were woven giving them directly the trapezoidal shape in the loom creating curved lines in the fabric and hence the impressive drawings that this piece shows.

An astonishing new creation wool carpet made according to the traditional flat weaving technique of which -Ahnif- were made. These were hooded capes that were woven giving them directly the trapezoidal shape in the loom creating curved lines in the fabric and hence the impressive drawings that this piece shows.

An astonishing new creation wool carpet made according to the traditional flat weaving technique of which -Ahnif- were made. These were hooded capes that were woven giving them directly the trapezoidal shape in the loom creating curved lines in the fabric and hence the impressive drawings that this piece shows.

A new style of flat woven rug inspired in the decorated bands of the traditional - Shadoui - storage bags using this fine technique and motives through all over the piece. Hand woven in 100% natural undyed wool (beige and brown)  in the Sirwa range of the High Atlas by the skillful hands of Aït Ouaouazguite women. Truly elegant!

A splendid new Beni Ouarain flatwoven natural wool combining wonderful colours beiges and aquamarine.

A splendid new Beni Ouarain flatwoven natural wool combining wonderful colours beiges and soft pink.

A newly hand-made Berber knotted one hundred per cent undyed wool rug from the tribe of the Beni Ouaraïn inhabiting the Western part of the Moroccan Middle Atlas mountain range. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used, their usually plain or lozenge-based decoration and their thickness. That latter is no doubt attributable to the fact that it would have served as a mattress for the family to withstand the freezing cold winter nights at the Atlas and then turned over onto the other side during the summer. Black design.

A fancy flat woven rug or Shadoui from the Jbel Siroua range, in the Moroccan southwest. Made entirely of natural white and brown undyed wool, and orange of vegetal dye. Originally used as saddlebags or riding blankets by members of the Berber tribe Aït Ouaouazguite.

Among the very characteristic pieces from this group there are this flatwoven striped textiles that in the local Berber dialect are called -lahmal i shadoui-. The weft-twining technique used for the weaving of these wool blankets, though certain examples may mix wool and goat hair for decoration, is called -shadaoui- and it can barely be found anywhere else in Morocco. True ethnic elegance, as this one. 

A beautiful flat woven rug or Shadoui from Jbel Siroua, in the Moroccan southwest. Originally used as a saddlebag or riding blanket by members of the Berber tribe Aït Ouaouazguite. Made entirely of natural white and black undyed wool and red of vegetable dyes, mixed with goat hair, which makes it specially strong and durable

A Magnificent flat woven rug or Shadoui from the Jbel Siroua range, in the Moroccan southwest. Made entirely of natural undyed black and white wool. Originally used as saddlebags or riding blankets by members of the Berber tribe Aït Ouaouazguite.

Among the very characteristic pieces from this group there are this flatwoven striped textiles that in the local Berber dialect are called -lahmal i shadoui-. The weft-twining technique used for the weaving of these wool blankets, though certain examples may mix wool and goat hair for decoration, is called -shadaoui- and it can barely be found anywhere else in Morocco. True ethnic elegance, as this one. 

A beautiful flat woven rug or Shadoui from Jbel Siroua, in the Moroccan southwest. Originally used as a saddlebag or riding blanket by members of the Berber tribe Aït Ouaouazguite. Made entirely of natural white, black, grey and brown undyed wool and red of vegetable dyes, mixed with goat hair, which makes it specially strong and durable.

These Berber artisan handmade flatwoven kilim-type textiles or -hanbel- from the Valley of the Ourika in the Moroccan High Atlas are quite a discovery. That is so not only because of their beauty and originality but also because they were quite unknown to most about little more than a decade ago. They are locally known as -lahmal- or -sachou- and they are made of sheep wool.  Their most characteristic features are the horizontal stripes and, most of all, that sort of lentil or protective eye decorative motif, called -ayyour-. The oldest examples use natural undyed wool covering most of the brown palette whilst later ones introduce a richer variety of colors. But again the most distinctive element is the -ayyour- which is woven using the eccentric weft technique. That means that the warp and the weft lines do not cross perpendicularly. This technique is very seldom found in Morocco but for some rare traditional male garment used among the Aït Ouaouzguite and in some areas of the Valley of the Ourika called -akhnif-.

A handmade artisan Azilal Berber flatwoven saddlebag or -tagararth-. Woven in wool and cotton  with  a traditional stripe background made of cream and brown colour natural undyed wool. A superb ethnographic textile piece.