Knotted

A newly hand-made Berber knotted undyed wool rug from the tribe of the Beni Ouaraïn inhabiting the Western part of the Moroccan Middle Atlas mountain range. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used, their usually plain or lozenge-based decoration and their thickness. That latter is no doubt attributable to the fact that it would have served as a mattress for the family to withstand the freezing cold winter nights at the Atlas and then turned over onto the other side during the summer. Grey design.

A newly hand-made Berber knotted undyed wool rug from the tribe of the Beni Ouaraïn inhabiting the Western part of the Moroccan Middle Atlas mountain range. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used, their usually plain or lozenge-based decoration and their thickness. That latter is no doubt attributable to the fact that it would have served as a mattress for the family to withstand the freezing cold winter nights at the Atlas and then turned over onto the other side during the summer. Black design.

A newly hand-made Berber knotted one hundred per cent undyed wool rug from the tribe of the Beni Ouaraïn inhabiting the Western part of the Moroccan Middle Atlas mountain range. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used, their usually plain or lozenge-based decoration and their thickness. That latter is no doubt attributable to the fact that it would have served as a mattress for the family to withstand the freezing cold winter nights at the Atlas and then turned over onto the other side during the summer. Black design.

A newly hand-made Berber knotted one hundred per cent undyed wool rug from the tribe of the Beni Ouaraïn inhabiting the Western part of the Moroccan Middle Atlas mountain range. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used, their usually plain or lozenge-based decoration and their thickness. That latter is no doubt attributable to the fact that it would have served as a mattress for the family to withstand the freezing cold winter nights at the Atlas and then turned over onto the other side during the summer. Black design.

Amazing Beni Ouarain rug that combines the natural loop-knotted wool background with the color designs in normal knot using recycled wool as in bucheraouite carpets. The Beni Ouaraïn are a confederation formed by about seventeen Berber groups inhabiting primarily the northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes they may be cited the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged admired since long and to that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

The Beni Ouaraïn are a confederation formed by about seventeen Berber groups inhabiting primarily the northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes they may be cited the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged admired since long and to that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

Medium thickness. Loop-knotted.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

This sample features warm shades of cream colour natural undyed wool and characteristic lozenge decoration in natural undyed black wool and brown.

A hand-made Berber knotted one hundred per cent undyed wool rug from the tribe of the Beni Ouaraïn inhabiting the Western part of the Moroccan Middle Atlas mountain range. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their thickness. That latter is no doubt attributable to the fact that it would have served as a mattress for the family to withstand the freezing cold winter nights at the Atlas and then turned over onto the other side during the summer. Beautiful grey palette.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

This particular example shows some elements of colour that makes it particularly vibrant.

The textiles from the different Berber sub-goups of the Aït Ouaouzguite Confederation in the region of the Siroua between the Moroccan High and Anti Atlas mountain ranges, such as the Aït Ouarda, the Aït Tamassine, the Aït Ameur, the Aït Khezama, the Ait Oubial or the Aït Abdallah, are traditionally among the most reputed in Morocco. To that end contribute not only the quality of the materials employed, the dexterity of the artisan weavers but also the originality of the techniques used in their flatwoven textiles such as capes or –akhnif- or bags and shepperd and mount blankets –shadoui-, -l´rhomd- or -adil-. For their knotted piled rugs they commonly use the so-called symmetric knot and local sheep wool. In earliest examples the predominant colours are natural undyed white, cream, brown and black sheep wool. Natural black wool is still very highly esteemed due to the top quality of that wool coming from a local sheep breed and because according to Berber’s beliefs it is very effective to ward off evil eye and other bad influences. In not that old examples the colour palette is wider. As to decorative patterns those are clearly tribal though we can find sometimes some resemblance with those found in city examples from Rabat or Salé. That has very much to do with the old and long-lasting links between the Jewish communities of those cities and Aït Ouaouzguite’s ones. When it comes to flatwoven textiles the degrees of quality, originality and excellency are certainly outstanding, particularly among the Aït Ouarda and the Aït Tamassine, being the combination of white and black stripes of different width  and the use of the –shadaoui- or  weft-twining technique some of the more remarkable features. True pieces of tribal art at its best not to be missed.