Jewels

A great old Moroccan silver bangle featuring the characteristic incised geometrical incised decoration and with some areas decorated in black and showing a wonderful silver granulation work. This kind of pieces a found mainly in Mauritania, Western Sahara and areas of Southern Morocco. 

An old silver bangle featuring the characteristic geometrical incised decoration and with some areas in black . This kind of piece is mainly found in Mauritania, Western Sahara and areas of southern Morocco. 

A very attractive Berber old silver bracelet. It has lost part of its chiselled decoration due to intensive use but it has got a wonderful patina instead. 

A superb set of seven old Moroccan Berber silver bangles ornated with incised decoration. In the origin it was a city piece of jewellery. One of its names was "simana" in reference to the seven days of the week. Other names: -slouk-, that is, -threads of iron-. 

A superb new silver Tuareg  bracelet or -khulkhal- from Niger  with an intricate and beautiful engraving work with protective designs for the wearer. Other names: -kholkhal-, -khalkhal-, -khelkhal-, -natal-. Adjustable.

A very attractive Berber old silver bracelet. It has lost part of its chiselled decoration due to intensive use but it has got a wonderful patina instead. 

A very attractive Berber old silver bracelet. It has lost part of its chiselled decoration due to intensive use but it has got a wonderful patina instead. 

A nice Berber molded and chiselled silver bracelet from Morocco. This is a design that originated in an urban environment -citadine- in North Morocco and then spread to other areas such as Rif, Jbala and further to Southern Morocco. Other names: -taasir saboun-. Mid- XXth century.

A nice Berber molded and chiselled silver bracelet from Morocco. This is a design that originated in an urban environment -citadine- in North Morocco and then spread to other areas such as Rif, Jbala and further to Southern Morocco. Other names: -taasir saboun-. Mid- XXth century.

A magnificent old Kuchi silver and glass necklace. This piece is an excellet sample of jewellery from that ethnic group. It is made of silver, glass cabochons and other tiny beads. Superb patina and piece. The real thing and certainly not one of the modern version on offer nowadays. The Kuchi people, from the Persian -koch- meaning migration, are Afghan pastoons nomads divided in a number of tribes that inhabit areas of Afghanistan and, to a lesser extent, Pakistan. Early XXth century.

A superb silver and enamel necklace from the Hazara, an ethnic minority group of persian origin that lives in central and Northeastern Afghanistan and in Northwestern Pakistan. This necklace features three flat silver plaques beautifully enameled in two different shades of blue and red with plant decoration. Sadly the technique for the making of these quality pieces has faded. The ensemble also includes nice silver beads and tiny blue, white and green glass beads which make the arrangement extremely attractive. A trip to the "Arabian Nights". The silver plaques are form the second half of the XIXth century and the arrangement more recent.

A very attractive Berber old silver bracelet. It has lost part of its chiselled decoration due to intensive use but it has got a wonderful patina instead. 

A very attractive Berber old silver bracelet. It has lost part of its chiselled decoration due to intensive use but it has got a wonderful patina instead. 

There are not many examples of beadwork weaving among the Berbers, this labor is much more frequent in sub-Saharan Africa. This beautiful pectoral necklace comes from the Taza region in the Moroccan Middle Atlas.

A lovely necklace made of old recycled -pâte de verre- discs from Ghana. 

A lovely necklace made of old recycled -pâte de verre- discs from Ghana. 

A lovely necklace made of old recycled -pâte de verre- discs from Ghana. 

A lovely necklace made of old recycled -pâte de verre- discs from Ghana. 

A lovely necklace made of old recycled -pâte de verre- beads from Ghana. 

A lovely necklace made of old recycled -pâte de verre- beads from Ghana. 

A lovely necklace made of recycled glass beads -pâte de verre- from Ghana. 

An old silver bangle featuring the characteristic geometrical incised decoration and with some areas in black and red. This kind of piece is mainly found in Mauritania, Western Sahara and areas of southern Morocco. 

A very attractive Berber old silver bracelet. It has lost part of its chiselled decoration due to intensive use but it has got a wonderful patina instead. 

A cute old Moroccan Berber silver bangle ornated with incised decoration. In the origin it was a city piece of jewellery. As a part of a seven bangle set they were known as "simana" in reference to the seven days of the week. Other names: -slouk-, that is, -threads of iron-. 

A cute old Moroccan Berber silver bangle ornated with incised decoration. In the origin it was a city piece of jewellery. As a part of a seven bangle set they were known as "simana" in reference to the seven days of the week. Other names: -slouk-, that is, -threads of iron-. 

A Very original set of one hundred and two vintage gilding bath silver beads from the skillful hands of a Mauritanian artisan. Uniques!

Avarage diametre between 5 and 7mm

Superb gilding bath silver beads necklace. It features the characteristic and intricate granulated and filigree decoration of the Mauritanian goldsmiths. Second half of the 20th century.

Central bead measures 17mm in diameter and the smallest 7mm.

A superb strand of sixty eight trade glass biconical beads, most of them are “eye beads” inspired on the much more ancient Islamic type, and five of them with linear decoration are the so called “King beads” by English merchants or Gololo by West Africans. These types of beads were made in Venice as from the beginning of the XIXth century using the lamp work technique. They were made in a variety of colors combining an opaque glass, solid color core (yellow, burgundy, black, green, etc.). These beads were among the most important ones in the gold trade in Africa.

The biggest bead is 16mm long and 23mm diameter and the smallest 10mm by 12mm.

We use the term trade beads to refer to the European made glass beads that were used by the European merchants and explorers in the trade in Africa as from the 15th century and continued during their colonial expansion. The history of trade beads in Africa takes us then to the 15th century and the arrival of the European, mainly the Portuguese, to the coasts of West Africa. The European discovered quite soon how much the people they met there fancied beads and saw they an opportunity for trade. Amongst the beads that captivated the African people most were glass beads since the techniques for their making had not yet been developed locally. The locals fell for the precious and colorful glass beads such as Venetian millefiori or chevron beads that the European traders had on offer and bartered them for commodities such as precious woods, ivory, gold and even used, ignominiously, in the slave trade. The increasing demand in Africa of European made glass beads continued quite until the first half of the 20th century and it had a boosting effect in the production in cities such as Venice which glass beads became very popular and coveted.

Lamp working is one of the main techniques for the making of glass beads. Lamp or lamp work beads were made using glass canes that were reheated to a temperature of up to 1000 ºC by means of a blowtorch or blowlamp and which were then wound onto a coated iron rod to avoid the molten glass from sticking to the metal. The beads produced by the artisan by these means could be then further decorated by re-heating the bead using the same lamp work method and applying colored glass rods or glass cane inserts to the surface of the bead creating an endless variation of patterns and making of each bead one of its own.

Lovely strand of fifty seven trade glass biconical beads. These type of beads  were made in Venice as from the beginning of the XIXth century using the lamp work technique. They were made in a variety of colors combining a opaque glass solid color core (yellow, burgundy, black, green, etc) on which linear decoration was applied in a lively combination of colors. These beads were known in the trade a “King beads” and also, locally, as Gololo beads. These beads were among the most important ones in the gold trade in Africa.

The biggest bead is 20mm long and 22mm diameter and the smallest 12mm by 13mm.

We use the term trade beads to refer to the European made glass beads that were used by the European merchants and explorers in the trade in Africa as from the 15th century and continued during their colonial expansion. The history of trade beads in Africa takes us then to the 15th century and the arrival of the European, mainly the Portuguese, to the coasts of West Africa. The European discovered quite soon how much the people they met there fancied beads and saw they an opportunity for trade. Amongst the beads that captivated the African people most were glass beads since the techniques for their making had not yet been developed locally. The locals fell for the precious and colorful glass beads such as Venetian millefiori or chevron beads that the European traders had on offer and bartered them for commodities such as precious woods, ivory, gold and even used, ignominiously, in the slave trade. The increasing demand in Africa of European made glass beads continued quite until the first half of the 20th century and it had a boosting effect in the production in cities such as Venice which glass beads became very popular and coveted.

Lamp working is one of the main techniques for the making of glass beads. Lamp or lamp work beads were made using glass canes that were reheated to a temperature of up to 1000 ºC by means of a blowtorch or blowlamp and which were then wound onto a coated iron rod to avoid the molten glass from sticking to the metal. The beads produced by the artisan by these means could be then further decorated by re-heating the bead using the same lamp work method and applying colored glass rods or glass cane inserts to the surface of the bead creating an endless variation of patterns and making of each bead one of its own.

Lovely strand of sixty three trade glass biconical beads. These type of beads were made in Venice as from the beginning of the XIXth century using the lamp work technique. They were made in a variety of colors combining a opaque glass solid color core (yellow, burgundy, black, green, etc) on which linear decoration was applied in a lively combination of colors. These beads were known in the trade a “King beads” and also, locally, as Gololo beads. These beads were among the most important ones in the gold trade in Africa.

The biggest bead is 16mm long and 18mm diameter and the smallest 12mm by 12mm.

We use the term trade beads to refer to the European made glass beads that were used by the European merchants and explorers in the trade in Africa as from the 15th century and continued during their colonial expansion. The history of trade beads in Africa takes us then to the 15th century and the arrival of the European, mainly the Portuguese, to the coasts of West Africa. The European discovered quite soon how much the people they met there fancied beads and saw they an opportunity for trade. Amongst the beads that captivated the African people most were glass beads since the techniques for their making had not yet been developed locally. The locals fell for the precious and colorful glass beads such as Venetian millefiori or chevron beads that the European traders had on offer and bartered them for commodities such as precious woods, ivory, gold and even used, ignominiously, in the slave trade. The increasing demand in Africa of European made glass beads continued quite until the first half of the 20th century and it had a boosting effect in the production in cities such as Venice which glass beads became very popular and coveted.

Lamp working is one of the main techniques for the making of glass beads. Lamp or lamp work beads were made using glass canes that were reheated to a temperature of up to 1000 ºC by means of a blowtorch or blowlamp and which were then wound onto a coated iron rod to avoid the molten glass from sticking to the metal. The beads produced by the artisan by these means could be then further decorated by re-heating the bead using the same lamp work method and applying colored glass rods or glass cane inserts to the surface of the bead creating an endless variation of patterns and making of each bead one of its own.

A superb old silver cuff featuring a truly outstanding niello floral decoration. We have found it in Afghanistan but the design and technique takes us to old Uzbek and Eastern Turkey (Van region). A very fortunate and rare finding that you should not miss.

A vintage Kuchi necklace from Afgahistan made of mixed metals beads and great glass pendants. The Kuchi people, from the Persian -koch- meaning migration, are Afghan pashtoons nomads divided in a number of tribes that inhabit areas of Afghanistan and Pakistan. Medium, size.

A marvellous newly strung necklace that combines a superb combination of old and vintage beads sourced in Mauritania. These include lovely ebony beads (some of them with silver filigree), aluminium, bohemian glass and stone beads and some truly awesome, beautiful and sought after old Mauritanian silver beads (agrabb al-fadda). An elegant and eye-catching necklace that will not go unnoticed.

Central bead meassures 28x22mm

A great set of forty-eight antique Venetian lamp work glass barrel shaped trade beads from the late 1800s. The main body of the beads is of a opaque black color and it is decorated with longitudinal white stripes. This type of beads is quite are and when found quite often it is just a few of them. These we were fotunate enough to source them in Mauritania.

Approximate dimensions: length: 12mm, diameter 8mm.

We use the term trade beads to refer to the European made glass beads that were used by the European merchants and explorers in the trade in Africa as from the 15th century and continued during their colonial expansion. The history of trade beads in Africa takes us then to the 15th century and the arrival of the European, mainly the Portuguese, to the coasts of West Africa. The European discovered quite soon how much the people they met there fancied beads and saw they an opportunity for trade. Amongst the beads that captivated the African people most were glass beads since the techniques for their making had not yet been developed locally. The locals fell for the precious and colorful glass beads such as Venetian millefiori or chevron beads that the European traders had on offer and bartered them for commodities such as precious woods, ivory, gold and even used, ignominiously, in the slave trade. The increasing demand in Africa of European made glass beads continued quite until the first half of the 20th century and it had a boosting effect in the production in cities such as Venice which glass beads became very popular and coveted.

Lamp working is one of the main techniques for the making of glass beads. Lamp or lamp work beads were made using glass canes that were reheated to a temperature of up to 1000 ºC by means of a blowtorch or blowlamp and which were then wound onto a coated iron rod to avoid the molten glass from sticking to the metal. The beads produced by the artisan by these means could be then further decorated by re-heating the bead using the same lamp work method and applying colored glass rods or glass cane inserts to the surface of the bead creating an endless variation of patterns and making of each bead one of its own.

Lovely Kuchi necklace from Afgahistan made of mixed glass beads, coins and dangles and pendants, decorated with different sizes glass cabochons. The Kuchi people, from the Persian -koch- meaning migration, are Afghan pashtoons nomads divided in a number of tribes that inhabit areas of Afghanistan and, to a lesser extent, Pakistan. 

A lovely old Afghani or Pakistani hollow silver bracelet from the Sindhi group. It shows a nice engraved decoration and a very attractive patina. Mid-XXth century.