Textiles

For many Kuba textiles are amongst the most appealing African textiles. They are raffia cut-pile cloths, very often artistically embroidered and further enriched with tight tufting that somehow reminds of -raffia- velvet. They show a great variety of designs mainly geometrical. Used by men as skirts they were symbols of status and, as such, highly esteemed.

For many Kuba textiles are amongst the most appealing African textiles. They are raffia cut-pile cloths, very often artistically embroidered and further enriched with tight tufting that somehow reminds of -raffia- velvet. They show a great variety of designs mainly geometrical. Used by men as skirts they were symbols of status and, as such, highly esteemed.

For many Kuba textiles are amongst the most appealing African textiles. They are raffia cut-pile cloths, very often artistically embroidered and further enriched with tight tufting that somehow reminds of -raffia- velvet. They show a great variety of designs mainly geometrical. Used by men as skirts they were symbols of status and, as such, highly esteemed.

For many Kuba textiles are amongst the most appealing African textiles. They are raffia cut-pile cloths, very often artistically embroidered and further enriched with tight tufting that somehow reminds of -raffia- velvet. They show a great variety of designs mainly geometrical. Used by men as skirts they were symbols of status and, as such, highly esteemed.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A lovely wrap or pareo (pagne) from the Baulé of Ivory Coast. This is a 100% handmade garment woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The final cloth is made by sewing together about 9 to 11 indigo dyed thin cotton bands. Then embroided zoomorphic and antropomorphic motivs sewn with vivid colors which will provide protection and good will to the wearer. Truly beautiful.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm.

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great woman's vintage shawl, cape or -handira- from the Berber group Aït Ouaouazguite in the Middle Atlas mountain range in Morocco. Handwoven natural wool.

The textiles from the different Berber sub-goups of the Aït Ouaouzguite Confederation in the region of the Siroua between the Moroccan High and Anti Atlas mountain ranges, such as the Aït Ouarda, the Aït Tamassine, the Aït Ameur, the Aït Khezama, the Ait Oubial or the Aït Abdallah, are traditionally among the most reputed in Morocco.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

The word -suzani- derives from the old persian word for needle so that it may be translated as -needlework-. Suzanis are one of the most attractive traditional crafts from Uzbekistan and they have been highly reputed for centuries. They are used as bed covers, as hangings and even as table covers. This beautiful old handmade example is embroidered on cotton and shows a luxurious floral decoration. A piece that will catch everybody's immediate attention.

The word -suzani- derives from the old persian word for needle so that it may be translated as -needlework-. Suzanis are one of the most attractive traditional crafts from Uzbekistan and they have been highly reputed for centuries. They are used as bed covers, as hangings and even as table covers. This beautiful old handmade example is embroidered on cotton and shows a luxurious floral decoration. A piece that will catch everybody's immediate attention.

The word -suzani- derives from the old persian word for needle so that it may be translated as -needlework-. Suzanis are one of the most attractive traditional crafts from Uzbekistan and they have been highly reputed for centuries. They are used as bed covers, as hangings and even as table covers. This beautiful old handmade example is embroidered on cotton and shows a luxurious floral decoration. A piece that will catch everybody's immediate attention.

The word -suzani- derives from the old persian word for needle so that it may be translated as -needlework-. Suzanis are one of the most attractive traditional crafts from Uzbekistan and they have been highly reputed for centuries. They are used as bed covers, as hangings and even as table covers. This beautiful old handmade example is embroidered on cotton and shows a luxurious floral decoration. A piece that will catch everybody's immediate attention.

Bogolan textiles are amongst the most interesting textiles from Western Africa. Their amazingly avant-garde design should not make us think that we are in front of a recent evolution of African art but we are rather facing an ancient craft. The name would come from the Bambara language and linked to the use quite often of mud in the process of making. The variety of designs is almost endless. It is made from narrow strips of cotton woven by dexterous artisans, which are then sewn together to make larger pieces of cloth. Those are then dyed and decorated in a serie of different stages using natural substances. True pieces of tribal art not to be missed.  

Bogolan textiles are amongst the most interesting textiles from Western Africa. Their amazingly avant-garde design should not make us think that we are in front of a recent evolution of African art but we are rather facing an ancient craft. The name would come from the Bambara language and linked to the use quite often of mud in the process of making. The variety of designs is almost endless. It is made from narrow strips of cotton woven by dexterous artisans, which are then sewn together to make larger pieces of cloth. Those are then dyed and decorated in a serie of different stages using natural substances. True pieces of tribal art not to be missed.