Textiles

The artisan handmade Azilal knotted rugs are yet another sample of Berber endless creativity. They are mainly woven in the the Moroccan province of Azilal, a mountainous region that lies between the High and Middle Atlas range. Among the Berber groups inhabiting that area we may cite the Aït bou Oulli, the Aït Bouguemez or the Aït Sokhmane. Sheep wool is used for the pile, warp and weft but in the last decades some other materials have been introduced. They are knotted using a symmetrical knot on two warps though sometimes the so-called Berber knot is used as well. The are usually medium-piled. In broad lines three main types of Azilal carpets can be described. The first one is the classical  one. Natural undyed white or cream wool is employed for the backgroung whilst natural undyed brown, black wool or, eventually some other color, is used for the decoration. The second type main characteristic is the deep red wool background where the decoration, either geommetrical or abstract, may show a fairly wide range of colors. This model is found among the Aït Bouzid and some experts see there influences from urban carpets from the city of Rabat. The third model appeared around the mid-1980's and its main feature is the use, together with natural or dyed wool, of a broader range of textile materials such as synthetic dyed yarns, reused fibers, etc. In any case the outcome is always spectacular, and exceedingly decorative.    

The artisan handmade Azilal knotted rugs are yet another sample of Berber endless creativity. They are mainly woven in the the Moroccan province of Azilal, a mountainous region that lies between the High and Middle Atlas range. Among the Berber groups inhabiting that area we may cite the Aït bou Oulli, the Aït Bouguemez or the Aït Sokhmane. Sheep wool is used for the pile, warp and weft but in the last decades some other materials have been introduced. They are knotted using a symmetrical knot on two warps though sometimes the so-called Berber knot is used as well. The are usually medium-piled. In broad lines three main types of Azilal carpets can be described. The first one is the classical  one. Natural undyed white or cream wool is employed for the backgroung whilst natural undyed brown, black wool or, eventually some other color, is used for the decoration. The second type main characteristic is the deep red wool background where the decoration, either geommetrical or abstract, may show a fairly wide range of colors. This model is found among the Aït Bouzid and some experts see there influences from urban carpets from the city of Rabat. The third model appeared around the mid-1980's and its main feature is the use, together with natural or dyed wool, of a broader range of textile materials such as synthetic dyed yarns, reused fibers, etc. In any case the outcome is always spectacular, and exceedingly decorative.    

A  woman's shawl, cape or -handira- from the High Atlas, though the use of these capes has extended to some areas of the High Atlas as well. It combines handwoven natural undyed wool and cotton. It features very distinctive decorative stripes and long cotton fringes or pile. Distinctive sequins on cotton threads have been added. Nowadays it would be used during special gatherings and festivities where the women, dancing together, make a magical sound by ratling their jewellery and the sequins themselves!. 

A  woman's shawl, cape or -handira- from the High Atlas, though the use of these capes has extended to some areas of the High Atlas as well. It combines handwoven natural undyed wool and cotton. It features very distinctive decorative stripes and long cotton fringes or pile. Distinctive sequins on cotton threads have been added. Nowadays it would be used during special gatherings and festivities where the women, dancing together, make a magical sound by ratling their jewellery and the sequins themselves!. 

A  woman's shawl, cape or -handira- from the High Atlas, though the use of these capes has extended to some areas of the High Atlas as well. It combines handwoven natural undyed wool and cotton. It features very distinctive decorative stripes. Nowadays it would be used during special gatherings and festivities where the women, dancing together, make a magical sound by ratling their jewellery. 

A  woman's shawl, cape or -handira- from the High Atlas, though the use of these capes has extended to some areas of the High Atlas as well. It combines handwoven natural undyed wool and cotton. It features very distinctive decorative stripes and long cotton fringes or pile. Distinctive sequins on cotton threads have been added. Nowadays it would be used during special gatherings and festivities where the women, dancing together, make a magical sound by ratling their jewellery and the sequins themselves!. 

A  woman's shawl, cape or -handira- from the High Atlas, though the use of these capes has extended to some areas of the High Atlas as well. It combines handwoven natural undyed wool and cotton. It features very distinctive decorative stripes and long cotton fringes or pile. Distinctive sequins on cotton threads have been added. Nowadays it would be used during special gatherings and festivities where the women, dancing together, make a magical sound by ratling their jewellery and the sequins themselves!. 

This captivating example of an old Berber woman's shawl, -takhardit or tahruyt-, from the group of the Aït Atta is likely to be among the most easily recognisable of the garments of that kind worn by the members of this group together with their reputed handiras. The reason for that is probably the appealing colourful and fastastic artisan embroidered decoration usually distributed on both sides of a longitudinal axis or -tananmmast- which constitute yet another wonderful evidence of the awesome and vast Berber iconography. These shalws are equally used as such as wells as to cover the head and tpart of the face and, in case of the Aï Khabbash subgroup of the Aït Atta, are frequently further decorated with pompoms and small sequins.v The large confederation of the Aït Atta inhabits an extense area on the High Atlas from the Draa valley to the Ziz valley. Cotton. Some small tears and old repairs. A superb piece in all senses.

A great artisan handmade Moroccan knotted leather carpet. Made with leather straps of a beautiful shades. 

A great artisan handmade Moroccan knotted leather carpet. Made with leather straps of a beautiful dark brown color. 

A great artisan handmade Moroccan knotted leather carpet. Made with leather straps of a beautiful shades. 

A lovely Berber woman's shawl, cape or -handira- from the group of the Aït Atta. It features the very characteristic distribution of stripes and colors of this group. The large confederation of the Aït Atta inhabits an extense area on the High Atlas from the Draa valley to the Ziz valley. Capes like this would be worn on special gatherings and ocassions by the women of the group and from some other neighbouring group as the Aït Hadiddou, fastened by silver fibula or brooches. This handmade handira has been woven in wool and it combines the use of natural dyes in a design that mixes the three traditional colors, red, black and green against a white or cream background and the combination of stripes of equal width in its central part. The traditional design is completed by a fringe bordering the side edges. 

A beautiful woman's shawl, cape or -handira- showing the arrangement of stripes and colours of the Berber tribe of the Aït Brahim belonging to the group of the Aït Haddidou, in the Moroccan High Atlas. Handwoven wool. Natural dyes. It is used not only in festive gatherings but also daily as a garment to withstand the freezing winter temperatures in the Atlas. It is fastened with textile straps or with fibulae. If the woman is married then she would also combine it with a very distinctive pointed headgear.

An appealing woman's shawl, cape or -handira- featuring the distinctive colours and stripes of one of the three fractions of the Berber tribe of the Aït Morrhad in the High Atlas mountain range in Morocco. Handwoven wool. Natural dyes. It is used to withstand the cold winter temperatures in the Atlas and during festive gatherings.

An appealing woman's shawl, cape or -handira- featuring the distinctive colours and stripes of one of the three fractions of the Berber tribe of the Aït Morrhad in the High Atlas mountain range in Morocco. Handwoven wool. Natural dyes. It is used to withstand the cold winter temperatures in the Atlas and during festive gatherings. 

An old Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative and tribal.

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative and tribal.

A great woman's vintage shawl, cape or -handira- from the Berber group of the Beni or Aït Ouaraïn in the Middle Atlas mountain range in Morocco. It combines handwoven natural undyed wool and cotton with natural dyes. It features the very distinctive striped decoration used by this group with typical geommetrical decorative motifs full of meanings and symbology. Fringed. Lovey cream and camel colors. The Beni Ouaraïn are a confederation formed by about seventeen Berber groups inhabiting primarily the northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes they may be cited the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged admired since long and to that have contributed the dexterity of their mainly women artisan weavers.

A beautiful handmade Berber rug from Talsing in Figuig, one of the eastern provinces of Morocco. Hand-knotted using wool of a vast variety of vibrant colors. The outcome is as pop as you can see. However the richness of the Berber symbology is still present by the use, for example, of the lozenge as a reference to the woman's womb. A rug that is full of character.

The artisan handmade Azilal knotted rugs are yet another sample of Berber endless creativity. They are mainly woven in the the Moroccan province of Azilal, a mountainous region that lies between the High and Middle Atlas range. Among the Berber groups inhabiting that area we may cite the Aït bou Oulli, the Aït Bouguemez or the Aït Sokhmane. Sheep wool is used for the pile, warp and weft but in the last decades some other materials have been introduced. They are knotted using a symmetrical knot on two warps though sometimes the so-called Berber knot is used as well. The are usually medium-piled. In broad lines three main types of Azilal carpets can be described. The first one is the classical  one. Natural undyed white or cream wool is employed for the backgroung whilst natural undyed brown, black wool or, eventually some other color, is used for the decoration. The second type main characteristic is the deep red wool background where the decoration, either geommetrical or abstract, may show a fairly wide range of colors. This model is found among the Aït Bouzid and some experts see there influences from urban carpets from the city of Rabat. The third model appeared around the mid-1980's and its main feature is the use, together with natural or dyed wool, of a broader range of textile materials such as synthetic dyed yarns, reused fibers, etc. In any case the outcome is always spectacular, and exceedingly decorative.    

The artisan handmade Azilal knotted rugs are yet another sample of Berber endless creativity. They are mainly woven in the the Moroccan province of Azilal, a mountainous region that lies between the High and Middle Atlas range. Among the Berber groups inhabiting that area we may cite the Aït bou Oulli, the Aït Bouguemez or the Aït Sokhmane. Sheep wool is used for the pile, warp and weft but in the last decades some other materials have been introduced. They are knotted using a symmetrical knot on two warps though sometimes the so-called Berber knot is used as well. The are usually medium-piled. In broad lines three main types of Azilal carpets can be described. The first one is the classical  one. Natural undyed white or cream wool is employed for the backgroung whilst natural undyed brown, black wool or, eventually some other color, is used for the decoration. The second type main characteristic is the deep red wool background where the decoration, either geommetrical or abstract, may show a fairly wide range of colors. This model is found among the Aït Bouzid and some experts see there influences from urban carpets from the city of Rabat. The third model appeared around the mid-1980's and its main feature is the use, together with natural or dyed wool, of a broader range of textile materials such as synthetic dyed yarns, reused fibers, etc. In any case the outcome is always spectacular, and exceedingly decorative.    

The artisan handmade Azilal knotted rugs are yet another sample of Berber endless creativity. They are mainly woven in the the Moroccan province of Azilal, a mountainous region that lies between the High and Middle Atlas range. Among the Berber groups inhabiting that area we may cite the Aït bou Oulli, the Aït Bouguemez or the Aït Sokhmane. Sheep wool is used for the pile, warp and weft but in the last decades some other materials have been introduced. They are knotted using a symmetrical knot on two warps though sometimes the so-called Berber knot is used as well. The are usually medium-piled. In broad lines three main types of Azilal carpets can be described. The first one is the classical  one. Natural undyed white or cream wool is employed for the backgroung whilst natural undyed brown, black wool or, eventually some other color, is used for the decoration. The second type main characteristic is the deep red wool background where the decoration, either geommetrical or abstract, may show a fairly wide range of colors. This model is found among the Aït Bouzid and some experts see there influences from urban carpets from the city of Rabat. The third model appeared around the mid-1980's and its main feature is the use, together with natural or dyed wool, of a broader range of textile materials such as synthetic dyed yarns, reused fibers, etc. In any case the outcome is always spectacular, and exceedingly decorative.    

The artisan handmade Azilal knotted rugs are yet another sample of Berber endless creativity. They are mainly woven in the the Moroccan province of Azilal, a mountainous region that lies between the High and Middle Atlas range. Among the Berber groups inhabiting that area we may cite the Aït bou Oulli, the Aït Bouguemez or the Aït Sokhmane. Sheep wool is used for the pile, warp and weft but in the last decades some other materials have been introduced. They are knotted using a symmetrical knot on two warps though sometimes the so-called Berber knot is used as well. The are usually medium-piled. In broad lines three main types of Azilal carpets can be described. The first one is the classical  one. Natural undyed white or cream wool is employed for the backgroung whilst natural undyed brown, black wool or, eventually some other color, is used for the decoration. The second type main characteristic is the deep red wool background where the decoration, either geommetrical or abstract, may show a fairly wide range of colors. This model is found among the Aït Bouzid and some experts see there influences from urban carpets from the city of Rabat. The third model appeared around the mid-1980's and its main feature is the use, together with natural or dyed wool, of a broader range of textile materials such as synthetic dyed yarns, reused fibers, etc. In any case the outcome is always spectacular, and exceedingly decorative.    

Beni Mrirt or Beni M'Rirt handmade artisan knotted rugs are woven in the Moroccan region of the same name in the Middle Atlas mountain range. Sometimes they are mistakenly taken for Beni Ouaraïn rugs, particularly those examples with a cream or white background. However, Beni MRirt rugs have their own distinctive features such as a denser pile and the wonderful and characteristic use of deep colors such as reds, orange or brown for the background. It should also be noted the quality of the wool as well as, when decorated, the originality of the motifs used and of their distribution. Apparently naïve and most charming motifs are then used mixing female and male symbols reflecting the always amazing Berber symbology. These rugs are very original, cosy and show great personality. This particualr rug has an original black narrow stripe at one of its ends.

Among the artisan handknotted rugs woven by the different Berber groups living in the Moroccan Middle Atlas mountains those made by the tribe of the Beni Mguild are, no doubt about it, among the most remarkable and attractive ones. To that contribute the quality of the wool, knotted by means of the so-called Berber knot and, sometimes, the symmetrical knot; the dense decoration that plays not only with the motifs, full of meanings and symbolism, but also with superb contrast of warm colors (brown, camel, gold, red, cream, etc.) without renouncing to brighter ones. The result is what we may define as almost irisdecent extremely lustrous medium pile rugs,elegant, full of character and that, sooner or later, end up becoming the focus of everybody's attention. This beautiful example features an outstanding purple/pink palette and a signature reading Ali Bi l’Arabi.  

A great contemporary artisan made Berber wool knotted rug from the Moroccan city of Tazenakht, Aït Ouaouazguite's tribe commercial capital. Very attratctive checkerboard design.

A hand-made Berber knotted one hundred per cent undyed wool rug from the tribe of the Beni Ouaraïn inhabiting the Western part of the Moroccan Middle Atlas mountain range. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their thickness. That latter is no doubt attributable to the fact that it would have served as a mattress for the family to withstand the freezing cold winter nights at the Atlas and then turned over onto the other side during the summer. Beautiful grey palette.

A stunning old Berber headscarf -Ilbed n´Tislatin or Ilbed n´Tghri- from the group of the Aït Atta in the Moroccan High Atlas. Tie-dyed wool. Though it is sometimes described as a bread cover its use is quite different. It is worn during the wedding celebrations as a headscarf tied with green silk straps and silver chains. It is very likely that its owner only wore it once at her wedding. A true piece of Berber art. Mid-XXth century or earlier. 

A great woman's vintage shawl, cape or -handira- from the Berber group of the Beni or Aït Ouaraïn in the Middle Atlas mountain range in Morocco. It combines handwoven natural undyed wool and cotton with natural dyes. It features the very distinctive striped decoration used by this group with typical geommetrical decorative motifs full of meanings and symbology. Fringed and with two straps to knot it round the chest. Lovey cream and camel colors. The Beni Ouaraïn are a confederation formed by about seventeen Berber groups inhabiting primarily the northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes they may be cited the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged admired since long and to that have contributed the dexterity of their mainly women artisan weavers.

A great woman's shawl, cape or -handira- showing the arrangement of stripes and colours of the Berber tribe of the Aït Brahim belonging to the group of the Aït Haddidou, in the Moroccan High Atlas. Handwoven wool. Natural dyes. Check the lovely green!. It is used not only in festive gatherings but also daily as a garment to withstand the freezing winter temperatures in the Atlas. It is fastened with textile straps or with fibulae. If the woman is married then she would also combine it with a very distinctive pointed headgear. 1950´s-60's.

A great woman's vintage shawl, cape or -handira- from the Berber group of the Beni or Aït Ouaraïn in the Middle Atlas mountain range in Morocco. It combines handwoven natural undyed wool and cotton with natural dyes. It features the very distinctive striped decoration used by this group with typical geommetrical decorative motifs full of meanings and symbology. Fringed and with two straps to knot it round the chest. Lovey cream and camel colors. The Beni Ouaraïn are a confederation formed by about seventeen Berber groups inhabiting primarily the northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes they may be cited the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged admired since long and to that have contributed the dexterity of their mainly women artisan weavers.

A handmade flatwoven rug or -hanbel- from the Berber tribe of the Zemmour. The Zemmour inhabit areas of the Middle Atlas mountain range in Morocco. Their flatwoven textiles are among the most reputed ones in Morocco. That is attributable not only to the quality of the materials, wool and cotton, but also to their skill, their beautiful use of colors and the vast variety of horizontal and vertical decorative motifs used that evidence the amazingly rich Berber symbology combining male, female and life elements. Very decorative and true pieces of art.

The plains surrounding the imperial city of Marrakech is an important source of rugs and flatwoven textiles alike. The vastest region in that area is the Rehamna, to the north and east of Marrakech. Different weaver groups inhabiting the area produce them. There are two main types of textiles in the area, namely, fairly plain red hand-knotted pile rugs and flatweaves or -hanbels- and those which seem to find their inspiration in the motifs and patterns found in some other flatweaves. This beautiful artisan flatwoven wool rug -hanbel- falls within that first category. Its beautiful red tone should not be missed.    

An artisan handmade flatwoven vintage rug or -hanbel- from Oued Zem in the region of Chaouia in Morocco. Wool and cotton. This pieces is outstanding for its beautiful decorative motifs, its incredibly rich colours and the wonderful apparente chaos particularly in the central part. The vast variety of horizontal and vertical decorative motifs used evidences the amazingly rich Berber symbology combining male, female and life elements. Very decorative and a true piece of art.

The Beni Ouaraïn form a confederation of about seventeen Berber groups inhabiting the Northeastern part of the Moroccan Middle Atlas mountain range. Among those tribes we find the Aït Jelidassen, the Zerarda, the Aït Assou, the Ahl Telt, the Beni bou Zart or the Imrilen. The quality of the Beni Ouaraïn textiles has been acknowledged and admired since long. To that have contributed the dexterity of their artisan weavers (mainly women) and the quality of the wool from a local breed of small sheeps that may still be found in certain areas inhabited by the Beni Ouaraïn. Their rugs use that wool for their warp, weft and knots. Their medium to long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used and their medium to high thickness. However, as an exception, the expert Gebhart Blazek gives account as to how until relatively recent times the Beni bou Zart where still using the loop-knot for some of their textiles. When decorated they use geometrical patterns that reflect the richness of the Berber iconography and simbology with references to feminine and masculine elements as well as to protective motifs. Beni Ouaraïn rugs are not originally meant for decoration. They would serve as mattresses for the family to withstand the freezing cold winter nights at the Atlas and then, turned over onto the other side, during the summer. Rugs with a strong tribal character and extremely decorative.

A simply awesome artisan hand-made mat from the Berber group of the Zaïan. The Zaïan inhabit certain areas of the Moroccan Middle Atlas mountain range. Their textiles are well-renowned for their outstanding quality and design as well as for it rich use of colors, combining wool and cotton. The outcome is very often espectacular and a real pleasure for the eye. This is one of those cases, where the combination of hand-woven palm fibre and wool, leads to as superb an example as this mat.