Textiles

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

Bogolan textiles are amongst the most interesting textiles from Western Africa. Their amazingly avant-garde design should not make us think that we are in front of a recent evolution of African art but we are rather facing an ancient craft. The name would come from the Bambara language and linked to the use quite often of mud in the process of making. The variety of designs is almost endless. It is made from narrow strips of cotton woven by dexterous artisans, which are then sewn together to make larger pieces of cloth. Those are then dyed and decorated in a serie of different stages using natural substances. True pieces of tribal art not to be missed.  

A cushion from the Berber tribe of the Zemmour. The group of the Zemmour inhabits areas of the Middle Atlas mountain range in Morocco. Their textiles are well-known for their quality and design and the richness of their palette. Hand flatwoven -hanbel- in wool and cotton. Beautiful and very decorative.

Filling not included. 

Melfa is the traditional Mauritanian veil or tissue that women wear around their bodies. This batik dyed cotton textiles feature wonderful designs with vibrant colours that recall the firmament.

This size will suit perfectly as pareo or shawl, also as curtain, wall deco, over the table, etc

Melfa is the traditional Mauritanian veil or tissue that women wear around their bodies. This batik dyed cotton textiles feature wonderful designs with vibrant colours that recall the firmament.

This size will suit perfectly as pareo or shawl, also as curtain, wall deco, over the table, etc

Melfa is the traditional Mauritanian veil or tissue that women wear around their bodies. This batik dyed cotton textiles feature wonderful designs with vibrant colours that recall the firmament.

This size will suit perfectly as pareo or shawl, also as curtain, wall deco, over the table, etc

For many Kuba textiles are amongst the most appealing African textiles. They are raffia cut-pile cloths, very often artistically embroidered and further enriched with tight tufting that somehow reminds of -raffia- velvet. They show a great variety of designs mainly geometrical. Used by men as skirts they were symbols of status and, as such, highly esteemed.

Among the artisan textiles, knotted and flatwoven (hanbel) alike, woven by the different Berber groups living in the Moroccan Middle Atlas mountains those made by the tribe of the Beni Mguild or Beni M’Guild are, no doubt, among the most remarkable and attractive ones. To that contribute the quality of the wool, the dense decoration that plays not only with the motifs, full of meanings and symbolism, but also with superb contrast of warm colors (brown, camel, gold, red, cream, etc.) without renouncing to brighter ones. The result is what we may define as almost irisdecent extremely lustrous medium pile rugs,elegant, full of character and that, sooner or later, end up becoming the focus of everybody's attention. This particular vintage hanbel features a wonderful combination of colors and shades and lozenge, fish bone and zig-zag pattern. Beautiful.  

Boujad Berber rugs come from the plains east of the imperial city of Marrakech in Morocco. The artisans would travel to the souks of this city to sell their carpets. The better known Berber group inhabiting the area from which these carpets come from are the Beni Moussa. These handmade medium wool pile knotted rugs bear some resemblance to those from the region of Hafouz. They made use a wide variety of colors and loose geometric patterns or play with different shades of the same palette such as reds, pinks and any other colours. In any event always a pleasure for the senses.

Boujad Berber rugs come from the plains east of the imperial city of Marrakech in Morocco. The artisans would travel to the souks of this city to sell their carpets. The better known Berber group inhabiting the area from which these carpets come from are the Beni Moussa. These handmade medium wool pile knotted rugs bear some resemblance to those from the region of Hafouz. They made use a wide variety of colors and loose geometric patterns or play with different shades of the same palette such as reds, pinks and any other colours. In any event always a pleasure for the senses.

From the artisan handknotted rugs woven by the different Berber groups living in the Moroccan Middle Atlas mountains those made by the tribe of the Beni Mguild or Beni M’Guild are, no doubt about it, among the most remarkable and attractive ones. To that contribute the quality of the wool, knotted by means of the so-called Berber knot and, sometimes, the symmetrical knot; the dense decoration that plays not only with the motifs, full of meanings and symbolism, but also with superb contrast of warm colors (brown, camel, gold, red, cream, etc.) without renouncing to brighter ones. The result is what we may define as almost irisdecent extremely lustrous medium pile rugs,elegant, full of character and that, sooner or later, end up becoming the focus of everybody's attention.    

From the artisan handknotted rugs woven by the different Berber groups living in the Moroccan Middle Atlas mountains those made by the tribe of the Beni Mguild or Beni M’Guild are, no doubt about it, among the most remarkable and attractive ones. To that contribute the quality of the wool, knotted by means of the so-called Berber knot and, sometimes, the symmetrical knot; the dense decoration that plays not only with the motifs, full of meanings and symbolism, but also with superb contrast of warm colors (brown, camel, gold, red, cream, etc.) without renouncing to brighter ones. The result is what we may define as almost irisdecent extremely lustrous medium pile rugs,elegant, full of character and that, sooner or later, end up becoming the focus of everybody's attention.    

Cojín de la tribu bereber de los Zaïan. El grupo de los Zaïan habita en áreas del Atlas Medio marroquí y sus textiles son conocidos tanto por su calidad y diseño como por su riqueza cromática. Tejido plano o -hambel- de lana y algodón artesanal realizado a mano. Alegre y muy decorativo.    

Relleno no incluido.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A fantastic cotton fabric dyed with natural indigo by the method of reserve, batik or madiba. Dogon women would use it as a skirt or shawl. It is made of cotton strips or bands handwoven on the traditional narrow and hanging looms. Subsequently, these bands are sewn together and are dyed achieving spectacular designs that are full of meaning for the local culture. Against the evil eye, good luck, fertility, good harvest, rain, etc.

The cultivation and weaving of cotton travels back more than a thousand years in the history of Mali, as well as the techniques for the processing and dying with indigo, which in this region grows wild (Indigofera Arrecta) and is also cultivated. Archaeological excavations at the Bandiagara Escarpment (Mali) in the last century’s decade of the 60’s unearthed remnants of indigo-dyed cotton fabrics dating from the 10th to 12th centuries whose manufacture and motifs are practically the same as those found nowadays. These findings are attributed to the already extinct Tellem people who were replaced by the Dogons who would have inherited the knowledge and technology to produce such fabrics.

This is an authentic tribal garment which has been used in a rural environment so it may show imperfections and remarkable signs of wear. Although, from our point of view this doesn’t alter its beauty at all, but we recommend taking this in mind when deciding your purchase. Likewise having been dyed with natural indigo it must be washed by hand, limiting the time in contact with water to the minimum essential and taking care that during drying the piece is well extended.

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative.

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative.

A Mauritanian wowen reed mat from the Sahara Desert and the Sahel. It features a beautiful decoration made of strips of leather forming geometrical patterns. They are commonly used as screens, as a dividers or as a mats. Very decorative.

A newly hand-made Berber knotted one hundred per cent undyed wool rug from the tribe of the Beni Ouaraïn inhabiting the Western part of the Moroccan Middle Atlas mountain range. Their long pile and silky touch rugs have become well-known worldwide for the use of the very characteristic so-called -Berber knot- on two or three warp threads, the lovely cream palette of the natural undyed wool used, their usually plain or lozenge-based decoration and their thickness. That latter is no doubt attributable to the fact that it would have served as a mattress for the family to withstand the freezing cold winter nights at the Atlas and then turned over onto the other side during the summer. Black design.

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm. 

A great wrap or pareo (pagne) from the Baulé of Ivory Coast. It is used as a prestige garment to be worn in special occasions. A handmade thin cotton textile woven by the Baulé using traditional hanging looms and techniques dating back to the Xth century. The artisan dyes first the cotton threads with natural dyes, mainly indigo, then extends them as per the desired ikat pattern and, once in the loom, weaves them in long plain color strips about 10-cm wide. The final cloth is made by sewing together about 9 to 11 of those bands. A truly ingenious piece of art.

This one is a vintage example that has been chosen due to its authenticity and beauty. It is in a reasonable good state even though it may show some slight spots or minor unstitches that only add to its captivating and undeniable charm.